Landscape with figures
Maker
Forgery in the manner of
(artist)
1591-1666
(artist)
1591-1666
Title
Landscape with figures
Medium
pen and brown ink on laid paper, with later graphite marks, laid down on an historic mount
Dimensions
Height: 27 cm
Width: 41.6 cm
Width: 41.6 cm
Accession Number
D.1952.RW.189
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display Art and Artifice: Fakes from the Collection:
This prolific forger flooded the market with hundreds of drawings imitating the graphic style of the Italian Baroque artist Giovanni Francesco Barbieri, known as Guercino. The forger favoured landscapes, and, unlike Guercino, restricted himself to working in just pen and ink.
Prints after drawings by Guercino circulated widely after the artist’s death. Il Falsario used these prints as the model for his linear style, and copied some of them directly, while also creating his own pastiches and wholly invented scenes in the style of the earlier master.
This prolific forger flooded the market with hundreds of drawings imitating the graphic style of the Italian Baroque artist Giovanni Francesco Barbieri, known as Guercino. The forger favoured landscapes, and, unlike Guercino, restricted himself to working in just pen and ink.
Prints after drawings by Guercino circulated widely after the artist’s death. Il Falsario used these prints as the model for his linear style, and copied some of them directly, while also creating his own pastiches and wholly invented scenes in the style of the earlier master.
Provenance
Robert Udny, London and Teddington (1722-1802), L.2248; William Esdaile, London (1758-1837), L.2617; William Mayor, London (1826-1874), L.2799; F.R. Meatyard (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b, n.d. (£2.05); Witt Bequest 1952
Exhibition History
Art and Artifice: Fakes from the Collection, The Courtauld Gallery, London, 17/06/2023-08/10/2023
Literature
Guercino: Mind to paper, J. Paul Getty Museum, Los Angeles; Courtauld Gallery, London, 2006-2007 Los Angeles, 2006
p. 16 note 16
p. 16 note 16
Inscriptions
Watermark: Watermarks: none evident in the drawing sheet, though difficult to see through the mount. Mount (historic), Verso: a name evident at right centre in raking light, and a countermark at left centre, but unable to see with transmitted light so is perhaps on a central sheet within the mount making it difficult to see clearly and thus identify.
Inscription: 189
Inscription: P.
Inscription: 106
Inscription: Barbieri / (Guercino) / From the Esdaile, Udney, Mayor Collections //
Collector's mark: collector's mark of William Mayor (L.2799)
Collector's mark: collector's mark of William Esdaile (L.2617)
Collector's mark: collector's mark of Robert Udny (L.2248)
Collector's mark: collector's mark of Sir Robert Witt (L.2228b)
Inscription: 189
Inscription: P.
Inscription: 106
Inscription: Barbieri / (Guercino) / From the Esdaile, Udney, Mayor Collections //
Collector's mark: collector's mark of William Mayor (L.2799)
Collector's mark: collector's mark of William Esdaile (L.2617)
Collector's mark: collector's mark of Robert Udny (L.2248)
Collector's mark: collector's mark of Sir Robert Witt (L.2228b)
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________