by-nc

Head of a boy and of an old man

Maker

(artist)
1682-1754

Title

Head of a boy and of an old man

Date of Production

(circa) 1739 - 1740

Medium

black and white chalk with stumping on grey laid paper

Dimensions

Height: 34 cm
Width: 27.4 cm

Accession Number

D.1952.RW.1645

Mode of Acquisition

Robert Clermont Witt, bequest, 1952

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords







Label Text

From 2023 display La Serenissima: Drawing in 18th century Venice:

Piazzetta achieved international fame as a master draughtsman with a series of teste di carattere, or head studies. Their success with collectors stimulated a considerable workshop production, sometimes making it difficult to distinguish his works from those by his talented assistants.

The drawings’ firm contours and delicate shading reflect Piazzetta’s academic training in Bologna and his interest in the work of Rembrandt (1606–1669), and the Italian Baroque artist Guercino (1591–1666). The head studies convey a sense of psychological investigation and intimacy. However, they should not be understood as straightforward portraits, since Piazzetta frequently used members of his family and studio assistants as models for his paintings and drawings. The youth featured in The Courtauld’s Head of a boy and of an old man also appears at the upper right of a Pastoral Scene at The Art Institute of Chicago (inv. no. 1937.68), where he is shown wearing a hat.

Provenance

Prince Wladimir Nikolaevitch Argoutinsky-Dolgoroukoff, Paris (1875-1941), L.2602d; his sale, Sotheby's (London), 4 July 1923, lot 17; purchased there by Sir Robert Witt, London (1872-1952), L.2228b (£10); Witt Bequest 1952

Exhibition History

La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, The Frick Collection, New York, 02/10/2012-27/01/2013

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, The Courtauld Gallery, London, 14/06/2012-09/09/2012 ...More

The Witt Collection - Four centuries of drawings, The Courtauld Gallery, London, 03/04/2004-20/06/2004

Material Evidence, The Courtauld Gallery, London, 30/10/1998-24/01/1999

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 16/10/1991-19/01/1992

Brussels, 1983

Italian Drawings of the 17th and 18th Centuries from the Witt
Collection
, The Courtauld Gallery, London, 01/03/1971-01/04/1971

Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970

Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962

Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 01/09/1960-01/10/1960

Drawings from the Witt Collection, The Courtauld Gallery, London, 1958-59

Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953

Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less

Literature

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, Frick Collection, New York and Courtauld Gallery, London London 2012-2013
no. 36
Illus. on p. 175

Master Drawings from the Courtauld Collections, Courtauld Institute Galleries, London, 1991
cat. no. 55
pp. 118, 187
Illus. on p. 119

Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
cat. no. 45 ...More

Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 85

Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 1960
cat. no. 40

Drawings from the Witt Collection, Courtauld Institute Galleries, London, 1958 - 1959
cat. no. 5

Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 59 ...Less

Inscriptions

Watermark: Watermark: none.

Collector's mark: Recto: lower left corner, stamped in black ink: Prince Wladimir Nikolaevitch Argoutinsky-Dolgoroukoff (L.2602d). erso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).

Inscription: none.

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