Standing man with arms raised
Maker
Francisco Bayeu y Subias (artist)
1734-1795
Ramón Bayeu y Subias (artist)
1746-1793
1734-1795
Ramón Bayeu y Subias (artist)
1746-1793
Title
Standing man with arms raised
Date of Production
1700 - 1799
Medium
black and white chalk on blue paper
Dimensions
Height: 30.2 cm
Width: 27.8 cm
Width: 27.8 cm
Accession Number
D.1952.RW.1565
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
The Spanish artist Bayeu stands out for his reliance on blue paper, which he used for the majority of his over 500 drawings. He and his brother Ramón (1746–1793) worked as designers for the royal tapestry manufactory in Madrid. Francisco often made drawings on blue paper, which Ramón would enlarge and complete as full-scale designs, which were then placed as guidance directly under the weavers’ looms. The tapestries would thus be in the reverse direction of the original drawings.
This figure is a study for one of the onlookers in a tapestry called The young bull of Carabanchel (in San Lorenzo del Escorial, Spain), which depicts an amateur bull-fighting scene. The man is attempting to distract the bull from the injured man lying on the ground.
This figure is a study for one of the onlookers in a tapestry called The young bull of Carabanchel (in San Lorenzo del Escorial, Spain), which depicts an amateur bull-fighting scene. The man is attempting to distract the bull from the injured man lying on the ground.
Provenance
Julian G. Lousada, London (ca. 1874-1945); given by him to Sir Robert Witt, London (1872-1952), L.2228b, n.d.; Witt Bequest 1952
Exhibition History
Drawn to Blue: Artists' use of Blue Paper, The Courtauld Gallery, London, 04/10/2024-26/01/2025
Spanish drawings from the Witt Collection, The Courtauld Gallery, London, 1978 (March - May)
Goya and his Times, Royal Academy of Arts, London, 1963-64 ...More
A selection of Spanish drawings from the Witt Collection, The Courtauld Gallery, London, 1956 ...Less
Spanish drawings from the Witt Collection, The Courtauld Gallery, London, 1978 (March - May)
Goya and his Times, Royal Academy of Arts, London, 1963-64 ...More
A selection of Spanish drawings from the Witt Collection, The Courtauld Gallery, London, 1956 ...Less
Literature
Véliz, Zahira, Spanish Drawings in the Courtauld Gallery: complete catalogue, London, 2011
no. 99
p. 271
Spanish drawings from the Witt Collection, Courtauld Gallery, London, 1978 (March - May)
cat. no. 53
Goya and his Times, Royal Academy of Arts, London, 1963-1964
cat. no. 333
no. 333
as by Ramon ...More
A selection of Spanish drawings from the Witt Collection, Courtauld Gallery, London, 1956
cat. no. 28
du Gué Trapier, Elizabeth, 'Notes on Spanish drawings' in 'Notes Hispanic', 1941
p. 47
fig. 41 on p. 48
Mayer, August L., 'Los dibujos espanoles de la coleccion Witt en Londres' in 'Arte Espanol', 1926-27 - pp. 2-4; VIII, 1
p. 2
as by Francisco ...Less
no. 99
p. 271
Spanish drawings from the Witt Collection, Courtauld Gallery, London, 1978 (March - May)
cat. no. 53
Goya and his Times, Royal Academy of Arts, London, 1963-1964
cat. no. 333
no. 333
as by Ramon ...More
A selection of Spanish drawings from the Witt Collection, Courtauld Gallery, London, 1956
cat. no. 28
du Gué Trapier, Elizabeth, 'Notes on Spanish drawings' in 'Notes Hispanic', 1941
p. 47
fig. 41 on p. 48
Mayer, August L., 'Los dibujos espanoles de la coleccion Witt en Londres' in 'Arte Espanol', 1926-27 - pp. 2-4; VIII, 1
p. 2
as by Francisco ...Less
Inscriptions
Watermark: Watermark: none.
Inscription: Recto: upper left corner, graphite: “14”; lower right, graphite: "Bayeu"; lower right, brown ink: “4”. Verso: upper left, graphite: “32”.
Collector's mark: Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: Recto: upper left corner, graphite: “14”; lower right, graphite: "Bayeu"; lower right, brown ink: “4”. Verso: upper left, graphite: “32”.
Collector's mark: Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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