Still-life with dead game, lobster, vegetables, fruit and cat (recto)
Maker
(artist)
1579-1657
1579-1657
Title
Still-life with dead game, lobster, vegetables, fruit and cat (recto)
Date of Production
1595 - 1657
Medium
pen and brown ink, grey wash, with brown ink framing lines (recto), red chalk (verso), on buff laid paper, now laid down on Japanese tissue
Dimensions
Height: 16.5 cm
Width: 27.6 cm
Width: 27.6 cm
Accession Number
D.1952.RW.1551
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
Thomas Howard, Earl of Arundel (1585-1646) [as per inscription on mount]; Pierre-Jean Mariette, Paris (1694-1774), L.1852; his estate sale, Basan (Paris), 15 November 1775 - 30 January 1776, lot 1039; purchased there by Pierre François Basan (1723-1797), for 22 livres; anonymous sale, C.G. Boerner (Leipzig), 11-12 November 1921, lot 47; Sotheby's (London), 17 - 18 April 1923, lot 19; purchased there by Sir Robert Witt, London (1872-1952) (£2.75) Witt Bequest 1952
Exhibition History
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977-January 1978
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London, 1927
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London, 1927
Literature
Rosenberg, Pierre et Choueiry, Marie-Liesse, Les dessins de la collection Mariette. Ecoles flamande, hollandaise et allemande, 2 vols., Paris 2022
vol. I, no. N 448 on p. 316
vol. I, ill. on p. 316 (recto)
Robels, Hella, Frans Snyders: Stilleben- und Tiermaler 1579-1657, Munich 1989
no. Z 28.
Greindl, Edith, Les peintres flamands de nature morte au XVIIe siècle, Sterrebeek 1983
no. 280, p. 380 ...More
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 48
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 130
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London 1927, 1927
cat. no. 636 ...Less
vol. I, no. N 448 on p. 316
vol. I, ill. on p. 316 (recto)
Robels, Hella, Frans Snyders: Stilleben- und Tiermaler 1579-1657, Munich 1989
no. Z 28.
Greindl, Edith, Les peintres flamands de nature morte au XVIIe siècle, Sterrebeek 1983
no. 280, p. 380 ...More
Flemish drawings from the Witt Collection, The Courtauld Gallery, London, October 1977- January 1978
cat. no. 48
Blunt, Anthony, Hand-list of the drawings in the Witt Collection, London, 1956
p. 130
Exhibition of Belgian and Flemish Art 1300-1900, Royal Academy of Arts, London 1927, 1927
cat. no. 636 ...Less
Inscriptions
Watermark: centre: small crowned shield containing fleur-de-lis (no match in Churchill, Heawood or on Bernstein portal, Peter Bower had no further information).
Inscription: Recto: lower left corner, brown ink: "Sneyders". Mount (removed, now in curatorial file), Recto: centre, graphite: 3; right centre, graphite: no. 19; lower left, graphite: 205; lower centre, graphite, circled: 55; lower right, graphite, circled, Witt number: 1551; lower left, on an added label, brown ink: Aus der Marietschen Samlung / sein Zeichen steht unter rechts; lower left edge, graphite: 87 From the Arundel Collection; lower right edge, brown ink: 1085. Verso: Engraved image, a copy of Louis Chéron's Baptism of the Eunuch etching of c.1690-1725.
Collector's mark: Recto: lower right corner, stamped in black ink: Pierre-Jean Mariette (L.1852).
Inscription: Recto: lower left corner, brown ink: "Sneyders". Mount (removed, now in curatorial file), Recto: centre, graphite: 3; right centre, graphite: no. 19; lower left, graphite: 205; lower centre, graphite, circled: 55; lower right, graphite, circled, Witt number: 1551; lower left, on an added label, brown ink: Aus der Marietschen Samlung / sein Zeichen steht unter rechts; lower left edge, graphite: 87 From the Arundel Collection; lower right edge, brown ink: 1085. Verso: Engraved image, a copy of Louis Chéron's Baptism of the Eunuch etching of c.1690-1725.
Collector's mark: Recto: lower right corner, stamped in black ink: Pierre-Jean Mariette (L.1852).
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