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Studies after Roman bas-reliefs
Maker
1594-1665
Title
Date of Production
Medium
Dimensions
Width: 20.1 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Chariot racing
Provenance
Exhibition History
Drawing - Technique and Purpose, Victoria & Albert Museum, London, 28/01/1981-26/04/1981
A Selection of Drawings from The Witt/Courtauld Collections, University of Sussex, Falmer, 1964 ...More
A selection of drawings from the Witt collection: French drawings c. 1600-c. 1800, The Courtauld Gallery, London, 1962
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
Exposition Nicolas Poussin, Musée du Louvre, Paris, 1960 ...Less
Literature
no. 193 on p. 38
p. 369
Drawings by Nicolas Poussin from British Collections, Ashmolean Museum, Oxford, 1990-1991
cat. no. 33
fig. 33
Drawing - Technique and Purpose, Victoria and Albert Museum, London, 1981
cat. no. 76 ...More
Blunt, Anthony and Friedlaender, Walter, The drawings of Nicholas Poussin: catalogue raisonne. Vol. V, Drawings after the antique, miscellaneous drawings, addenda, London 1974
no. 343 on p. 40
pl. 264 ...Less
Inscriptions
Inscription: Recto, both within the drawing, brown ink, artist’s hand: upper right: “dis manibus / sangti pacci / saturnis indigo / paccia secondo / coniugi / bene inventi / posunt / promise inliorum [?] / orientia Amiceti / Call. Anthi. / [?] pyrricHPS. //”; left centre edge: “pugillator”.
Collector's mark: Recto: lower left corner, blindstamped: Count Moriz von Fries (L.2903); lower right corner, stamped in black ink: Jean-Baptiste-Florentin-Gabriel de Meyran marquis de Lagoy (L.1710). Verso: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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