Young woman with a basket
Maker
(artist)
1682-1754
1682-1754
Title
Young woman with a basket
Date of Production
1700 - 1799
Medium
black and white chalk with stumping on laid paper (previously blue laid paper, now discoloured)
Dimensions
Height: 39.6 cm
Width: 30.1 cm
Width: 30.1 cm
Accession Number
D.1952.RW.1511
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
From 2023 display La Serenissima: Drawing in 18th century Venice:
Piazzetta achieved international fame as a master draughtsman with a series of teste di carattere, or head studies. Their success with collectors stimulated a considerable workshop production, sometimes making it difficult to distinguish his works from those by his talented assistants.
The drawings’ firm contours and delicate shading reflect Piazzetta’s academic training in Bologna and his interest in the work of Rembrandt (1606–1669), and the Italian Baroque artist Guercino (1591–1666). The head studies convey a sense of psychological investigation and intimacy. However, they should not be understood as straightforward portraits, since Piazzetta frequently used members of his family and studio assistants as models for his paintings and drawings.
Piazzetta achieved international fame as a master draughtsman with a series of teste di carattere, or head studies. Their success with collectors stimulated a considerable workshop production, sometimes making it difficult to distinguish his works from those by his talented assistants.
The drawings’ firm contours and delicate shading reflect Piazzetta’s academic training in Bologna and his interest in the work of Rembrandt (1606–1669), and the Italian Baroque artist Guercino (1591–1666). The head studies convey a sense of psychological investigation and intimacy. However, they should not be understood as straightforward portraits, since Piazzetta frequently used members of his family and studio assistants as models for his paintings and drawings.
Provenance
H.E. Morritt; his sale, Sotheby's (London), 22 March 1923, lot 51; purchased there by Sir Robert Witt, London (1872-1952), L.2228b (£10.5); Witt Bequest 1952
Exhibition History
La Serenissima: Drawing in 18th century Venice, The Courtauld Gallery, London, 14/10/2023-11/02/2024
Narrative Folds (Pop-up exhibition), The Courtauld Gallery, London, 01/06/2013-01/06/2013
Drawings by Old Masters, Royal Academy of Arts, London, 1953 ...More
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Narrative Folds (Pop-up exhibition), The Courtauld Gallery, London, 01/06/2013-01/06/2013
Drawings by Old Masters, Royal Academy of Arts, London, 1953 ...More
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Literature
Drawings by Old Masters, Royal Academy of Arts, London, 1953
cat. no. 162
cat. no. 162
Inscriptions
Watermark: centre: initials IP formed of single lines (initials of Ignazio Paresi, a papermaker in Vicenza).
Inscription: none.
Collector's mark: Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
Inscription: none.
Collector's mark: Verso: lower right corner, stamped in black ink: Sir Robert Witt (L.2228b).
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