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View of the Arch of Titus, Rome (recto)
Maker
(artist)
born 1650
Formerly attributed to
(artist)
1604-1682
Title
Date of Production
Medium
Dimensions
Width: 20 cm
Accession Number
Mode of Acquisition
Credit
Copyright
Location
Keywords
Provenance
Exhibition History
The Art of Claude Lorrain, Laing Art Gallery, Newcastle-upon-Tyne; Hayward Gallery, London, 27/09/1969-14/12/1969
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962 ...More
French Master Drawings, Glynn Vivian Art Gallery, Swansea, 1962
Architectural Drawings from the Witt Collection, The Courtauld Gallery, London, 01/07/1961-01/10/1961
Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 01/09/1960-01/10/1960
Drawings from the Witt Collection, The Courtauld Gallery, London, 1958-59
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London; York City Art Gallery; Peterborough Art Gallery, 1953
Landscape in French Art, Royal Academy of Arts, London, 1949-1950
Old Masters from the Witt Collection, Victoria and Albert Museum, London, 01/01/1943-01/05/1943 ...Less
Literature
cat. no. 101
Roethlisberger, Marcel, 'Drawings around Claude, Part One: A Group of Sixty Grimaldesque Drawings' in 'Master Drawings', Winter 1965; 3, 4
no. 49
as by unknown artist
Illustrated London News, 13 Jan. 1962
Illus. repr. ...More
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 60
Architectural Drawings from the Witt Collection, Courtauld Gallery, London, 1961
cat. no. 35
Old Master Drawings from the Witt Collection, Auckland City Art Gallery, 1960
cat. no. 71
Drawings from the Witt Collection, Courtauld Institute Galleries, London, 1958 - 1959
cat. no. 23
Drawings from the Witt Collection at the Courtauld Institute of Art, St James's Square, London, York City Art Gallery and Peterborough Art Gallery, 1953
cat. no. 77
Vasari Society, 1922; 2nd series, III
no. 16
Illus. repr. ...Less
Inscriptions
Inscription: Mount (removed, in portfolio from P&D), Recto: lower left edge, brown ink, Esdaile’s hand: “1814 WE P46 N 1004”; lower centre edge, black ink: “Claudio Lorenese.”. Mount (removed, in portfolio from P&D), Verso: lower left corner and lower centre edge, dark brown ink: “100 x 13 Claude.”; lower edge, graphite: “From Collection of C.S. Bale. Arch of Titus.”.
Collector's mark: Recto: lower right corner, pen and brown ink: William Esdaile (L.2617). Verso: lower centre edge, stamped in black ink: Charles Sackville Bale (L.640). Mount (removed, in portfolio from P&D), Recto: lower left corner, stamped in black ink: Sir Robert Witt (L.2228b).
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