Study of arm and hand
Maker
(artist)
1618-1680
Formerly attributed to
(artist)
1656-1687
1618-1680
Formerly attributed to
(artist)
1656-1687
Title
Study of arm and hand
Date of Production
(circa) 1665
Medium
black, white and red chalk on rough brown laid paper
Dimensions
Height: 19.7 cm
Width: 27 cm
Width: 27 cm
Accession Number
D.1952.RW.1012
Mode of Acquisition
Robert Clermont Witt, bequest, 1952
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Label Text
This drawing is an example of the studies Lely made in preparation for his painted portraits. The delicate rendering and intricate pose of the hand and arm, accompanied by billowing drapery finished in white chalk, all convey a sense of movement and lightness. The study has been connected to a portrait of Henrietta Boyle, Countess of Rochester, which belongs to Lely’s famous ‘Windsor Beauties’ series representing the most beautiful women at the court of Charles II.
Provenance
E. Parsons & Sons (London); purchased there by Sir Robert Witt, London (1872-1952), L.2228b (verso, lower right), n.d. (£1.5); Witt Bequest 1952
Exhibition History
Drawings Gallery Display - Drawing Together, The Courtauld Gallery, London, 30/09/2017-02/01/2018
Special Display - Peter Lely - The Draughtsman and his Collection, The Courtauld Gallery, London, 24/09/2012-13/01/2013
Sir Peter Lely, National Portrait Gallery, London, 17/11/1978-18/03/1979 ...More
Kneller Exhibition, London & England, 1977 ...Less
Special Display - Peter Lely - The Draughtsman and his Collection, The Courtauld Gallery, London, 24/09/2012-13/01/2013
Sir Peter Lely, National Portrait Gallery, London, 17/11/1978-18/03/1979 ...More
Kneller Exhibition, London & England, 1977 ...Less
Literature
The Courtauld Gallery and Thomas, Ben. Drawing Together (London: Courtauld Gallery, 2017-2018)
p. 30
Fig. p. 32
Sir Peter Lely, National Portrait Gallery, 1979, 1978
no. 66
Chaloner Smith, John, British mezzotint portraits; being a descriptive catalogue of these engravings from the introduction of the art to the early part of the present century., London 1884
vol. I, p. 34, no. 48
engraved by Isaac Beckett
p. 30
Fig. p. 32
Sir Peter Lely, National Portrait Gallery, 1979, 1978
no. 66
Chaloner Smith, John, British mezzotint portraits; being a descriptive catalogue of these engravings from the introduction of the art to the early part of the present century., London 1884
vol. I, p. 34, no. 48
engraved by Isaac Beckett
Inscriptions
Watermark: Watermark: none.
Inscription: none.
Collector's mark: Verso: lower right edge, stamped in black: Sir Robert Witt (L.2228b).
Inscription: none.
Collector's mark: Verso: lower right edge, stamped in black: Sir Robert Witt (L.2228b).
Information on this object may be incomplete and will be updated as research progresses. We are particularly committed to addressing any discriminatory or offensive language and ideas that might be present in our records. To help improve this record, and to enquire about images of The Courtauld Gallery Collection, please email gallery.collectionsonline@courtauld.ac.uk. Find out more about using and licensing our images.
____________________________