Holy Family
Maker
(artist)
1696-1770
1696-1770
Title
Holy Family
Date of Production
1755-1762
Medium
black chalk, pen and brown ink, brown wash on laid paper
Dimensions
Height: 27.8 cm
Width: 19.7 cm
Width: 19.7 cm
Accession Number
D.1935.SC.250
Mode of Acquisition
Samuel Courtauld, gift, 1935
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
Work in the public domain
Location
Not currently on display
Keywords
Provenance
mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762; kept in convent of the Somaschi until its suppression, 1810; acquired from there by Count Leopoldo Cicognara (1767-1834); acquired from him in an exchange by Antonio Canova (1754-1822); by descent to Monsignor Giovanni Battista Sartori-Canova (1775-1858); purchased from him by Francesco Pesaro, Venice; purchased from him by Edward Cheney, Badger Hall, Shropshire (1803-1884),1842; by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896); his sale, Sotheby's (London), 29 April 1885, lot 1024 (in the 'Heads and Holy Figures' album); purchased there by E. Parsons & Sons (London); possibly acquired in Dublin by William Fagg, Sydenham; possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, part of lot 49 (three volumes); purchased there by E. Parsons & Sons (London); Savile Gallery, May 1928; purchased there by Samuel Courtauld, London (1876-1947), 1928; Courtauld Gift 1935
Exhibition History
All Spirit and Fire - Oil Sketches by Tiepolo, The Courtauld Gallery, London, 23/02/2006-29/05/2006
Italian Drawings of the 17th and 18th Centuries from the Witt
Collection, The Courtauld Gallery, London, 01/03/1971-01/04/1971
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970 ...More
Goya and his Times, Royal Academy of Arts, London, 1963-64
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962
Drawings by G.B. Tiepolo, Savile Gallery, London, 1928 ...Less
Italian Drawings of the 17th and 18th Centuries from the Witt
Collection, The Courtauld Gallery, London, 01/03/1971-01/04/1971
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970 ...More
Goya and his Times, Royal Academy of Arts, London, 1963-64
Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962
Drawings by G.B. Tiepolo, Savile Gallery, London, 1928 ...Less
Literature
Whistler, Catherine, Venice and Drawing 1500-1800: Theory, Practice and Collecting, New Haven and London 2017
p.xxiv
illus. p. 14
Farr, Dennis, 100 Masterpieces from the Courtauld Collections, London: Courtauld Institute Galleries, 1987
p. 172
illus. p. 173
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
cat. no. 53 ...More
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 91
illus. p. 23
Cooper, Douglas, The Courtauld Collection, London 1954
no. 250
Drawings by G.B. Tiepolo, Savile Gallery, London, 1928
cat. no. 4
no. 4 ...Less
p.xxiv
illus. p. 14
Farr, Dennis, 100 Masterpieces from the Courtauld Collections, London: Courtauld Institute Galleries, 1987
p. 172
illus. p. 173
Italian Old Master drawings. Witt Collection, Courtauld Gallery, The National Art Gallery of New Zealand, Wellington, 1970
cat. no. 53 ...More
Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
cat. no. 91
illus. p. 23
Cooper, Douglas, The Courtauld Collection, London 1954
no. 250
Drawings by G.B. Tiepolo, Savile Gallery, London, 1928
cat. no. 4
no. 4 ...Less
Inscriptions
Watermark: centre: three hats (see sketch in file, of a type similar to Heawood 2599 - Padua 1694).
Inscription: Verso: lower left corner, black chalk: illegible – could just be scribbles?
Collector's mark: none.
Inscription: Verso: lower left corner, black chalk: illegible – could just be scribbles?
Collector's mark: none.
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