by-nc

Femme nue assise (Seated Female Nude)

Maker

Forgery in the manner of
(Artists)
1840-1917

Title

Femme nue assise (Seated Female Nude)

Date of Production

after 1900

Medium

graphite with stumping on wove paper

Dimensions

Height: 34.1 cm
Width: 27.4 cm

Accession Number

D.1935.SC.149

Mode of Acquisition

Samuel Courtauld, gift, 1935

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

Keywords




Label Text

From 2023 display Art and Artifice: Fakes from the Collection:
Auguste Rodin’s drawings are particularly appealing to forgers, as his sketchy lines seem deceptively easy to imitate. Scholars have identified at least four different forgers’ hands at work on dozens of fake Rodin drawings. These fakes, however, often lack Rodin’s refined simplicity and sense of anatomy.

In this drawing, the outlines of the lumpy female nude are awkward and wooden. Additionally, the loop of the ‘d’ in Rodin’s name doesn’t match his genuine signature.

Provenance

St George's Gallery (London); purchased there by Samuel Courtauld, London (1876-1947),1924; Samuel Courtauld Gift 1935

Exhibition History

Art and Artifice: Fakes from the Collection, The Courtauld Gallery, London, 17/06/2023-08/10/2023

The nude: 19th & 20th century paintings, drawings, sculpture , prints, Morley Gallery, London, 10/04/1975-24/05/1975

Drawings and engravings from the Courtauld Collection, The Courtauld Gallery, London, 1966 ...More

Rodin, an exhibition of sculpture with some drawings and prints, Hatton Gallery, Newcastle-upon-Tyne and 7 other cities, 1966-1967

Drawings and Engravings from the Courtauld Collection, The Courtauld Gallery, London, December 1959-April 1960

Impressionistes de la Collection Courtauld de Londres, Orangerie, Paris, 1955

Samuel Courtauld memorial exhibition, Tate Gallery, London, 1948

long-term loan, City Art Gallery, Wakefield, 1946-1947 ...Less

Literature

John House, Impressionism for England: Samuel Courtauld as Patron and Collector, Courtauld Institute Galleries 1994
no. 109
illus. p. 217

The nude: 19th & 20th century paintings, drawings, sculpture , prints, Morley Gallery, London, 1975
cat. no. 70

Drawings and engravings from the Courtauld Collection, Courtauld Institute Galleries, London, December 1959-April 1960, 1974 (rev. ed.)
no. 47
illus. pl. VI ...More

Drawings and engravings from the Courtauld Collection, Courtauld Institute Galleries, London, 1966
cat. no. 33

Rodin, an exhibition of sculpture with some drawings and prints, Hatton Gallery, Newcastle-upon-Tyne and 7 other cities, 1966-67
cat. no. 45

Levy, Mervyn, The artist and the nude: an anthology of drawings, London 1965
illus. pl. 85

Levy, Mervyn, The human form in art, London 1961
illus. facing p. 129

Drawings and engravings from the Courtauld Collection, Courtauld Institute Galleries, London, Dec. 1959 - Apr. 1960, 1959-1960
cat. no. 33

Impressionistes de la Collection Courtauld de Londres, Orangerie, Paris, 1955
cat. no. 89
illus. pl. 80

Cooper, Douglas, The Courtauld Collection, London 1954
no. 149

Reynolds, G., 19th-century drawings, 1850-1900, London 1949
illus. pl. 29 ...Less

Inscriptions

Watermark: none.

Inscription: Recto: upper right corner, graphite: "L"; lower left corner, graphite, former acc. no.: "54.35"; lower right, graphite, underlined, forged signature: "Aug Rodin". Verso: written twice, in lower left and right corners, graphite: “No 12”.

Collector's mark: none.

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