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Paysage avec un pont (Landscape with a bridge)

Maker

(artist)
1884-1974

Title

Paysage avec un pont (Landscape with a bridge)

Date of Production

circa 1924

Medium

pen and black ink, watercolour and bodycolour with some gum arabic on thick wove paper (card?)

Dimensions

Height: 63 cm
Width: 48.1 cm

Accession Number

D.1932.SC.151

Mode of Acquisition

Samuel Courtauld, gift, 1932

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

© ADAGP, Paris and DACS, London 2023

Location

Not currently on display

Keywords






Provenance

Léon Marseille (Paris); purchased there by Percy Moore Turner of the Independent Gallery (London), between 16 September and 7 November 1924 (£40); purchased there by Samuel Courtauld, London (1876-1947), 2 January 1925 (£100, along with D.1935.SC.142); Courtauld Gift 1932

Exhibition History

Royal Scottish Academy Galleries, Edinburgh, December 1979-March 1980

Drawings and Engravings from the Courtauld Collection, The Courtauld Gallery, London, December 1959-April 1960

France 1850-1950, Kettering Art Gallery, 1950 (June) ...More

Samuel Courtauld memorial exhibition, Tate Gallery, London, 1948

Fighting French, London, 1943 (May)

Leicester Art Gallery, 22/03/1936-21/04/1936 ...Less

Literature

Salmon, Dimitri, Percy Moore Turner, Précieux Conseiller de Samuel and Elizabeth Courtauld, Fondation Louis Vuitton 2019
pp. 23, 34n153, 36, no. 17 on p. 70, within fig. 11 (unpag.)
ill. 17 on p. 70

Salmon, Dimitri, et al., Le Saint Joseph Charpentier de Georges de la Tour: un don au Louvre de Percy Moore Turner, Paris 2017
pp. 404, 432n486

John House, Impressionism for England: Samuel Courtauld as Patron and Collector, Courtauld Institute Galleries 1994
no. 110
ill. p. 218 ...More

Cooper, Douglas, The Courtauld Collection, London 1954
no. 151
erroneously says the Independent Gallery bought this directly from the artist

Home House Trustees, A catalogue of the pictures and other works of art at Home House, 20 Portman Square, London, London 1935
p. 47, no. 62 ...Less

Inscriptions

Watermark: Recto, lower right corner, blindstamped: an oval labelled "BRISTOL" in the upper border and inside "AL".

Inscription: Recto: lower left, black ink, signed: "A. Dunoyer de Segonzac"; lower right corner, graphite: "22P".

Label: Removed from a former frame, now missing, but recorded in the file: “A.I.A. Travelling Exhibition, / Case Y, No. 4”; “P.M. Turner, / The Independent Gallery, / Paintings and Drawings by Contemporary Artists & Fine Examples of Earlier Periods.”.

Collector's mark: none.

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