ⓒ Work in copyright. All rights reserved.
Paysage avec un pont (Landscape with a bridge)
Maker
(artist)
1884-1974
1884-1974
Title
Paysage avec un pont (Landscape with a bridge)
Date of Production
circa 1924
Medium
pen and black ink, watercolour and bodycolour with some gum arabic on thick wove paper (card?)
Dimensions
Height: 63 cm
Width: 48.1 cm
Width: 48.1 cm
Accession Number
D.1932.SC.151
Mode of Acquisition
Samuel Courtauld, gift, 1932
Credit
The Courtauld, London (Samuel Courtauld Trust)
Copyright
© ADAGP, Paris and DACS, London 2023
Location
Not currently on display
Keywords
Provenance
Léon Marseille (Paris); purchased there by Percy Moore Turner of the Independent Gallery (London), between 16 September and 7 November 1924 (£40); purchased there by Samuel Courtauld, London (1876-1947), 2 January 1925 (£100, along with D.1935.SC.142); Courtauld Gift 1932
Exhibition History
Royal Scottish Academy Galleries, Edinburgh, December 1979-March 1980
Drawings and Engravings from the Courtauld Collection, The Courtauld Gallery, London, December 1959-April 1960
France 1850-1950, Kettering Art Gallery, 1950 (June) ...More
Samuel Courtauld memorial exhibition, Tate Gallery, London, 1948
Fighting French, London, 1943 (May)
Leicester Art Gallery, 22/03/1936-21/04/1936 ...Less
Drawings and Engravings from the Courtauld Collection, The Courtauld Gallery, London, December 1959-April 1960
France 1850-1950, Kettering Art Gallery, 1950 (June) ...More
Samuel Courtauld memorial exhibition, Tate Gallery, London, 1948
Fighting French, London, 1943 (May)
Leicester Art Gallery, 22/03/1936-21/04/1936 ...Less
Literature
Salmon, Dimitri, Percy Moore Turner, Précieux Conseiller de Samuel and Elizabeth Courtauld, Fondation Louis Vuitton 2019
pp. 23, 34n153, 36, no. 17 on p. 70, within fig. 11 (unpag.)
ill. 17 on p. 70
Salmon, Dimitri, et al., Le Saint Joseph Charpentier de Georges de la Tour: un don au Louvre de Percy Moore Turner, Paris 2017
pp. 404, 432n486
John House, Impressionism for England: Samuel Courtauld as Patron and Collector, Courtauld Institute Galleries 1994
no. 110
ill. p. 218 ...More
Cooper, Douglas, The Courtauld Collection, London 1954
no. 151
erroneously says the Independent Gallery bought this directly from the artist
Home House Trustees, A catalogue of the pictures and other works of art at Home House, 20 Portman Square, London, London 1935
p. 47, no. 62 ...Less
pp. 23, 34n153, 36, no. 17 on p. 70, within fig. 11 (unpag.)
ill. 17 on p. 70
Salmon, Dimitri, et al., Le Saint Joseph Charpentier de Georges de la Tour: un don au Louvre de Percy Moore Turner, Paris 2017
pp. 404, 432n486
John House, Impressionism for England: Samuel Courtauld as Patron and Collector, Courtauld Institute Galleries 1994
no. 110
ill. p. 218 ...More
Cooper, Douglas, The Courtauld Collection, London 1954
no. 151
erroneously says the Independent Gallery bought this directly from the artist
Home House Trustees, A catalogue of the pictures and other works of art at Home House, 20 Portman Square, London, London 1935
p. 47, no. 62 ...Less
Inscriptions
Watermark: Recto, lower right corner, blindstamped: an oval labelled "BRISTOL" in the upper border and inside "AL".
Inscription: Recto: lower left, black ink, signed: "A. Dunoyer de Segonzac"; lower right corner, graphite: "22P".
Label: Removed from a former frame, now missing, but recorded in the file: “A.I.A. Travelling Exhibition, / Case Y, No. 4”; “P.M. Turner, / The Independent Gallery, / Paintings and Drawings by Contemporary Artists & Fine Examples of Earlier Periods.”.
Collector's mark: none.
Inscription: Recto: lower left, black ink, signed: "A. Dunoyer de Segonzac"; lower right corner, graphite: "22P".
Label: Removed from a former frame, now missing, but recorded in the file: “A.I.A. Travelling Exhibition, / Case Y, No. 4”; “P.M. Turner, / The Independent Gallery, / Paintings and Drawings by Contemporary Artists & Fine Examples of Earlier Periods.”.
Collector's mark: none.
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