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Speculum Romanae Magnificentiae. Statue of Pasquino. Proof before addition of the signature of Antoine Lafréry and date of 1550.

Maker

(publisher)
1512-1577

Title

Speculum Romanae Magnificentiae. Statue of Pasquino. Proof before addition of the signature of Antoine Lafréry and date of 1550.

Date of Production

1550

Medium

medium : material : ink & support : material : paper

Dimensions

Height: 29 cm
Width: 40.7 cm

Accession Number

B.1978.PG.102.79

Mode of Acquisition

Count Antoine Seilern, bequest, 1978

Credit

The Courtauld, London (Samuel Courtauld Trust)

Copyright

Work in the public domain

Location

Not currently on display

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Label Text

The Speculum Romanae Magnificentiae (‘Mirror of Roman Magnificence’), one of the most celebrated print collections of the Renaissance, is unique in that no two known examples are alike. Antoine Lafréry, a French publisher based in Rome, kept a large stock of prints depicting Roman antiquities, sculptures and contemporary architecture, from which clients could make a selection according to their individual interests. The volume was then bound with a standard frontispiece.

Provenance

Information not yet known or updated

Literature

Zorach, Rebecca, The Virtual Tourist in Renaissance Rome: printing and collecting the Speculum Romanae Magnificentiae, Chicago 2008

Parshall, Peter, 'Antonio Lafreri's Speculum Romanae Magnificentiae' in 'Print Quarterly', 2006 - pp. 3-28; XXIII (I)

Huelsen, Christian, 'Das Speculum Magnificentiae des Antonio Lafreri' in Collectanea Variae Doctrinae, Florence 1921 - pp.121-170
cat.71.A (1)
Fig. p. 157

Inscriptions

Inscription: 95

Inscription: Io non son (come paio) un Babbuino / stroppiato, senza piedi, et senza mani, / Nemen con glialtri membri sconci et strani, / La simmia son di Niccolo Zoppino. / Ma son quel famosissimo Pasquino / che tremar faccio i Signor piu Soprani, / & stupir forastieri et Paesani / Quando compango in volgare, o in latino / La mia persona e' fatta in tal maniera / Per i colpi, e, hor questo hor quel in accocca / Per ch'io dico i lor falli a buona cera. / Ma infin ch'io ha l'usata lingua in bocca / Non ne fo stima, anchor che'l resto pera / & sempre cantaro, Zara a chi tocca / Che se la gente sciocca / Non si vuol rimaner de i falli suoi / Chi terra me' che no'l ridica poi

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