{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9579\/manifest.json","type":"Manifest","label":{"none":["Reclining nude"]},"summary":{"none":["S.1948.SC.202"]},"navDate":"1924-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-s-1948-sc-202","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Reclining nude"]}},{"label":{"none":["Maker"]},"value":{"none":[" Frank Dobson"]}},{"label":{"none":["Production date"]},"value":{"none":["1924-1925"]}},{"label":{"none":["Medium"]},"value":{"none":["white marble\n"]}},{"label":{"none":["Accession number"]},"value":{"none":["S.1948.SC.202"]}},{"label":{"none":["Dimensions"]},"value":{"none":["Height: 7 cm<br>Width: 17.8 cm"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["Samuel Courtauld, bequest, 1948<br>"]}},{"label":{"none":["Object type"]},"value":{"none":["Sculpture"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Credit"]},"value":{"none":["Courtauld Gallery, London (Samuel Courtauld Trust)"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["© estate of Frank Owen Dobson"]}},{"label":{"none":["Label text"]},"value":{"none":["The human figure in repose was the constant source <br>of Dobson’s inspiration, and from the 1920s he concentrated on the female nude. His work reflects a range of influences, most obviously the work of the older French sculptor, Aristide Maillol, and the art of India and the Orient. This marble figure dates from the same period as a journey to Sri Lanka."]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9579\/canvas\/1","type":"Canvas","label":{"none":["S.1948.SC.202_a"]},"height":5410,"width":7210,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9579\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9579\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9579\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/60533\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":5410,"width":7210}}]}]}]}