{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9290\/manifest.json","type":"Manifest","label":{"none":["Cup and cover"]},"summary":{"none":["LO.1990.CS.1009"]},"navDate":"1770-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-lo-1990-cs-1009","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Cup and cover"]}},{"label":{"none":["Maker"]},"value":{"none":[" Louisa Perina Courtauld"]}},{"label":{"none":["Production date"]},"value":{"none":["1770-71"]}},{"label":{"none":["Medium"]},"value":{"none":["medium : material : silver\n"]}},{"label":{"none":["Accession number"]},"value":{"none":["LO.1990.CS.1009"]}},{"label":{"none":["Dimensions"]},"value":{"none":["Height: 29.5 cm<br>Width: 21 cm"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["Akzo Nobel, long-term loan, 1990<br>"]}},{"label":{"none":["Object type"]},"value":{"none":["Silverware"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["Work in the public domain"]}},{"label":{"none":["Label text"]},"value":{"none":["This unusual interpretation of the traditional English cup was inspired by an Ancient Greek ceramic drinking vase. The design is attributed to Sir William Chambers, the architect of Somerset House. Chambers regularly designed silver and furniture for his clients, where he excelled in creating striking surface contrasts. Here, areas of finely detailed ornament – such as the leafy handles ending in horns of abundance – are a foil to the plain silver. The central tablet features a scene – as yet unidentified – from Roman mythology<br>"]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9290\/canvas\/1","type":"Canvas","label":{"none":["LO.1990.CS.1009"]},"height":6600,"width":4800,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9290\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9290\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O9290\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/69235\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":6600,"width":4800}}]}]}]}