{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O8747\/manifest.json","type":"Manifest","label":{"none":["Nude"]},"summary":{"none":["B.1958.PD.3.9"]},"navDate":"1918-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-b-1958-pd-3-9","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Nude"]}},{"label":{"none":["Maker"]},"value":{"none":[" Vanessa Bell"]}},{"label":{"none":["Production date"]},"value":{"none":["1918"]}},{"label":{"none":["Medium"]},"value":{"none":["woodcut\n"]}},{"label":{"none":["Accession number"]},"value":{"none":["B.1958.PD.3.9"]}},{"label":{"none":["Dimensions"]},"value":{"none":["Height: 18.6 cm<br>Width: 11 cm"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["Pamela Diamand, gift, 16.5.1958<br>"]}},{"label":{"none":["Object type"]},"value":{"none":["Books"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Credit"]},"value":{"none":["Courtauld Gallery, London (Samuel Courtauld Trust)"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["© Estate of Vanessa Bell. All rights reserved, DACS 2023"]}},{"label":{"none":["Label text"]},"value":{"none":["In 1918, the Omega Workshops published a book of woodcuts by its participating artists. Bell contributed two prints: a floral still life and this meditative female nude, based on her<br>recent painting <i>The Tub<\/i> (now in the Tate). Although she was new to woodcut, Bell quickly embraced the technique’s strong tonal contrasts and varied textures. She also<br>found it a valuable tool for rethinking compositions. Here, the compression of space<br>transforms the sense of isolation that pervades <i>The Tub<\/i> into a scene of warmth and intimacy."]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O8747\/canvas\/1","type":"Canvas","label":{"none":["B.1958.PD.3.9"]},"height":6600,"width":4796,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O8747\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O8747\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O8747\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/47246\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":6600,"width":4796}}]}]}]}