{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O45152\/manifest.json","type":"Manifest","label":{"none":["Open Letter"]},"summary":{"none":["D.2023.XX.4"]},"navDate":"1998-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-d-2023-xx-4","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Open Letter"]}},{"label":{"none":["Maker"]},"value":{"none":[" Maliheh Afnan"]}},{"label":{"none":["Production date"]},"value":{"none":["1998"]}},{"label":{"none":["Accession number"]},"value":{"none":["D.2023.XX.4"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["gift, 2023"]}},{"label":{"none":["Object type"]},"value":{"none":["Drawings"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Credit"]},"value":{"none":["Courtauld Gallery, London (Samuel Courtauld Trust)"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["Courtesy of  Rose Issa Projects, and Shereen Mahhouk"]}},{"label":{"none":["Label text"]},"value":{"none":["<i>Open Letter<\/i>, is a major example of the theme of calligraphy and script relating to Afnan’s Iranian heritage, which is a significant aspect of her art. It also connects to modernist works by European and American artists such as Twombly and Michaux, both represented in the collection. The Courtauld’s Professor Sussan Babaie writes of this drawing: <br><br>Paper was enormously important to her way of working as is visible in the ‘Open Letter’. The sensitivity toward the textures, the malleability or stiffness of paper, and the potential for absorption or bleeding of ink on paper seem to have guided her on her way to the subject of her work. As if waiting for the paper and ink out of the nib of her pen to discuss the matter, she saw and followed the latent potentialities of her materials. The text is there not to impart a specific meaning but to evoke a sense of knowing, a conversation which need not be spelled out. She was a master of her materials and the inherent emotionality of the subject matter that is not articulated in precise terms. "]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O45152\/canvas\/1","type":"Canvas","label":{"none":["D.2023.XX.4"]},"height":5185,"width":6930,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O45152\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O45152\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O45152\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/89072\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":5185,"width":6930}}]}]}]}