{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O3650\/manifest.json","type":"Manifest","label":{"none":["Bypass I"]},"summary":{"none":["P.1984.AH.66"]},"navDate":"1960-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-p-1984-ah-66","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Bypass I"]}},{"label":{"none":["Maker"]},"value":{"none":[" Prunella Clough"]}},{"label":{"none":["Production date"]},"value":{"none":["1960"]}},{"label":{"none":["Medium"]},"value":{"none":["oil on canvas\n"]}},{"label":{"none":["Accession number"]},"value":{"none":["P.1984.AH.66"]}},{"label":{"none":["Dimensions"]},"value":{"none":["Height: 96.5 cm (canvas)<br>Width: 112 cm (canvas)"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["Mark Ian Alastair Hunter, bequest, 1984<br>"]}},{"label":{"none":["Object type"]},"value":{"none":["Paintings"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Credit"]},"value":{"none":["Courtauld Gallery, London (Samuel Courtauld Trust)"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["© Estate of Prunella Clough. All Rights Reserved, DACS 2023"]}},{"label":{"none":["Label text"]},"value":{"none":["This is one of a group of works from 1959-60 which mark Clough’s move into abstraction. However, she insisted that all her paintings had their origins “in the richness of the outside world”.<br>Clough took inspiration from many sources and the cellular forms of Bypass 1 could be read as a microscopic cross-section of an organism. Alternatively, it might have a basis in technical diagrams and machine parts which fascinated her at this time. But given the absence of a defined scale in the work, it could also suggest an aerial perspective of a landscape or a map of a large expanse. Clough’s concern was, as she put it, to see the world “as if it were strange and unfamiliar”."]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O3650\/canvas\/1","type":"Canvas","label":{"none":["P.1984.AH.66_c"]},"height":5695,"width":6680,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O3650\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O3650\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O3650\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/133344\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":5695,"width":6680}}]}]}]}