{"@context":"http:\/\/iiif.io\/api\/presentation\/3\/context.json","id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O27683\/manifest.json","type":"Manifest","label":{"none":["Saint Paul (right panel)"]},"summary":{"none":["P.1947.LF.294.4"]},"navDate":"1345-01-01","requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["<a href=\"https:\/\/courtauld.ac.uk\/\">The Courtauld Institute of Art<\/a>"]}},"provider":[{"id":"https:\/\/courtauld.ac.uk\/","type":"Agent","label":{"en":["The Courtauld Institute of Art"]},"homepage":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/home","type":"Text","label":{"en":["The Courtauld Gallery Collection Online"]},"format":"text\/html"}],"logo":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/static\/img\/col_courtauld_cms\/The_Courtauld_logo.png","type":"Image","format":"image\/png","height":122,"width":1004}]}],"rendering":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/object-p-1947-lf-294-4","type":"Text","label":{"en":["Full record view"]},"format":"text\/html"}],"metadata":[{"label":{"none":["Title"]},"value":{"none":["Saint Paul (right panel)"]}},{"label":{"none":["Maker"]},"value":{"none":[" Master of the Dominican Effigies"]}},{"label":{"none":["Production date"]},"value":{"none":["1345"]}},{"label":{"none":["Medium"]},"value":{"none":["tempera on panel\n"]}},{"label":{"none":["Accession number"]},"value":{"none":["P.1947.LF.294.4"]}},{"label":{"none":["Dimensions"]},"value":{"none":["Height: 103.8 cm"]}},{"label":{"none":["Mode of acquisition"]},"value":{"none":["Arthur Hamilton Lee, bequest, 1947<br>"]}},{"label":{"none":["Object type"]},"value":{"none":["Paintings"]}},{"label":{"none":["Institution"]},"value":{"none":["The Courtauld Institute of Art"]}},{"label":{"none":["Credit"]},"value":{"none":["Courtauld Gallery, London (Samuel Courtauld Trust)"]}},{"label":{"none":["Copyright statement"]},"value":{"none":["Work in the public domain"]}},{"label":{"none":["Label text"]},"value":{"none":["This master was active in Florence, and probably trained with Pacino di Bonaguida.  Like Pacino, he was especially talented as a manuscript illuminator. This altarpiece shows his particular debt to Bernardo Daddi. <br>None of the saints who surround the Virgin and Child are surprising choices. However, Mary Magdalen (at the far right) was first painted as Saint Margaret, as the inscription below her states. Margaret’s attribute, a dragon, can also still be seen."]}},{"label":{"none":["License"]},"value":{"none":["<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">BY-NC 4.0 Creative Commons Attribution-NonCommercial 4.0<\/a>"]}}],"items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O27683\/canvas\/1","type":"Canvas","label":{"none":["P.1947.LF.294.4"]},"height":3865,"width":1369,"format":"image\/jpeg","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O27683\/canvas\/1\/page","type":"AnnotationPage","items":[{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O27683\/canvas\/1\/page\/annotation","type":"Annotation","motivation":"painting","target":"https:\/\/gallerycollections.courtauld.ac.uk\/api\/iiif\/O27683\/canvas\/1","body":{"id":"https:\/\/gallerycollections.courtauld.ac.uk\/iiif\/3\/59607\/full\/max\/0\/default.jpg","type":"Image","format":"image\/jpeg","height":3865,"width":1369}}]}]}]}